By Martin A. Lee, Bruce Shlain
Acid goals is the whole social historical past of LSD and the counterculture it helped to outline within the sixties. Martin Lee and Bruce Shlain's exhaustively researched and incredible account-part of it gleaned from mystery govt files-tells how the CIA turned enthusiastic about LSD as an espionage weapon through the early l950s and introduced a huge covert learn application, within which numerous unwitting voters have been used as guinea pigs. although the CIA used to be purpose on holding the drug to itself, it eventually couldn't hinder it from spreading into the preferred tradition; the following LSD had a profound effect and helped spawn a political and social upheaval that modified the face of the United States. From the clandestine operations of the govt. to the escapades of Timothy Leary, Abbie Hoffman, Ken Kesey and his Merry Pranksters, Allen Ginsberg, and so on, Acid desires offers an enormous and interesting account that is going to the center of a turbulent interval in our background. "Engaging all through . . . right now exciting and disturbing." - Andrew Weil, M.D., The kingdom; "Marvelously targeted . . . loaded with startling revelations." - l. a. day-by-day information; "An engrossing account of a interval . . . while a tiny psychoactive molecule affected virtually each point of Western life." - William S. Burroughs; "An very important ancient synthesis of the unfold and results of a drug that served as a imperative metaphor for an era." - John Sayles.
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Extra resources for Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond
From around 1578, Shakespeare may have started his apprenticeship, as most boys of his age and class did. He should have taken up his trade when he came of age in 1585, but his prospects changed with his much-too-early marriage. For the next 10 years he was making his way in the world as BBC History Magazine PE: Shakespeare probably started acting when he was very young because he realised he was good at it. He was just ﬁve when Stratfordupon-Avon ﬁrst welcomed professional actors to perform there, visits authorised by his father, who was then bailiff.
It’s just some ingenious wishful thinking. Why do you think Shakespeare’s plays are still so admired today? LM: The plays are untypical of the time in their depiction of psychological aspects. Middleton and Jonson dramatised types and caricatures but Shakespeare always tried to see beyond the stereotype. ” Shakespeare’s plays show people – people falling in love, having children, trying to make a go of a situation. These are transhistorical and transcultural concerns – the human heart doesn’t change.
In a few battle sites in Gaul, for example, the simple Roman equivalent of modern land-mines have been discovered: small hooked iron barbs laid just under the ground surface intended to lodge themselves irremovably and excruciatingly painfully in the soles of the enemy feet. But, by and large, despite many modern myths about Roman military genius, battle tactics in the ancient world were fairly rudimentary on all sides, and superior weaponry was not usually the deciding factor. What counted most in securing victory was manpower, simply the number of boots you could put on the ground.
Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond by Martin A. Lee, Bruce Shlain